Tibetan Hopgar

In 1950, Master Ng Yim Ming ("Harry Ng"), who was teaching Lama Kung Fu to the mainland China Air Force, came to the U. S. to visit his wife and children in San Francisco and decided to stay.  It was from Master Ng that David Chin learned the art of Hop Gar.

Hop Gar is primarily composed of twelve short hands (six offensive and six defensive) twelve long hands (six offensive and six defensive) and eight sets of forms.  Kicks are used but are considered second line techniques, the hands being the first.  An important part of the art is the footwork which is very structured and makes the other techniques feasible.

The basic philosophy is expressed in the four words:

1.     Chon - To destroy the enemy completely so that he can't renew his attack

2.     Sim - To evade, not meeting force directly but not to go too far into yielding

3.     Chun - To penetrate by aiming at the space in between where the opponent has come out and not yet returned

4.     Jeet - To intercept, checking the opponent's force before it is released